Download PDF The Sounds of Music: Perception and Notation, by Gerald Eskelin
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The Sounds of Music: Perception and Notation, by Gerald Eskelin
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The premise of this book is that, like spoken language, music should be experienced as sound before it is learned in its symbolic form, and that when presented this way, a learner is better prepared to navigate the tangles and perplexities of music notation. Drawing on his extensive background as performer, teacher, composer and lecturer, the author cuts through the traditional, sometimes irrational, language of music teaching and reduces terminology to simple and basic ideas. He begins with a discussion of sound itself, and from there proceeds to demonstrate how we hear and organize the specific perceptual structures we call music. Discussions of perception and conception are not clinical in content or style; they are simply based on common experiences and logical conclusions. Plentiful aural and graphic illustrations are provided, enabling the reader to actually hear and see how combinations of pitches and rhythms become meaningful musical expressions. The focus then turns to music notation, showing how music can be captured on paper and later re-created in performance.
- Sales Rank: #2182366 in Books
- Brand: Brand: Stage Three Enterprises
- Published on: 1997-06-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .90" w x 8.50" l,
- Binding: Paperback
- 352 pages
- Used Book in Good Condition
Most helpful customer reviews
8 of 9 people found the following review helpful.
Excellent book for every musician
By M.SapientiS
This book explain the theory behind many aspects of music ,focusing on the perceptual ,"sound" aspect, rather than presetning theory in a completely abstract way. It lacks only deeper explanations and references when it presents harmony and it's relation to frequencies.A little more mathematical treatment or just some references to those interested in going deeper in the subject would be good,even thoguh it's not the main goal of the book. The best part is that the "sound" section of the book wich is just marvellous, inciting insights in the very essence of music.The tritone subject had excellent coverag,and provided me a needed knowledge. It helped me a lot in understanding music and widening my perception. Almost every musician can make a good deed to himself reading this book.
10 of 12 people found the following review helpful.
An impressive achievement!
By A Customer
The title of this book is a little daunting and, before I opened it, I was expecting an arid, technical work of interest only to serious students of music. This is not the case. The book addresses itself to anyone who wants to develop their understanding of this medium and assumes no prior knowledge. It begins with a laudably succinct chapter on world music which discusses musical traditions and variation. It then goes on to deal with musical concepts such as timbre, tone and pitch. Discussion of the various modes and structure of music follow, including introductions to melody, rhythm and meter. The narrative - which is fluent and engaging throughout - is linked to a CD full of examples to illustrate points made in the text. The book is remarkably user-friendly and, with its A4 format and margin notes, reminded me of the way the Open University present their course material. It took me just under a month to work my way through it but I'm glad I took the time. I can now pontificate with some authority about the technicalities of a medium I've always wanted to know more about (but was afraid to ask!). There's bound to be a market for this impressive achievement.
Reviewer: Paul MacDonald, New Hope International Review
1 of 1 people found the following review helpful.
The best effort I've seen at reconciling traditional "music theory" and notation with broader perspectives
By Aaron Wolf
This book covers the nature of music in fascinating ways accessible to a general audience. It builds up the nature of notation wonderfully, and is all around the best I've seen in this area. Problems arise only in trying to go a little too hard into the ramifications of Just Intonation tuning. I basically think the tuning stuff is valid, but it's just a little over-applied here. Still, an excellent and still unmatched resource occupying that area where real perspective and science is made meaningful to the average musician.
I recommend this over *any* traditional "music theory" text.
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